Music
Stanley Clarke Group
St Luke’s, Glasgow
Rob Adams
five stars
IT WAS a night for acknowledging the gone but not forgotten. Charles Mingus was among them, as were – briefly – Miles Davis and John Coltrane, then more substantially the great George Duke, and following some entirely musical hooliganism down by the tail-piece, so was Stanley Clarke’s bass bridge.
Clarke does rather give his instruments some punishment. His signature sounds on both bass guitar and double bass have always seemed, at least in part, a creation of improbable finger strength. Just before the mishap that led to his acoustic bass, restored and retuned, sitting waiting to be brought back into action, Clarke had being paying homage to his former project co-leader, Duke with the keyboard master’s Brazilian Love Affair.
Exuberance doesn’t begin to describe this samba-ing, life-affirming celebration as Clarke and his band – the outrageously gifted Beka Gochiasvili, here on piano, soulful keyboardist-vocalist Caleb McCampbell and volcanic drummer Mike Mitchell – smiled their way through solo after virtuosic solo.
Charles Mingus’s Good-bye Pork Pie Hat, its theme having been stated with real, string caressing feeling by Clarke on bass guitar, was taken on a similarly energetic, exciting odyssey and the flamenco-dancing No Mystery, with Clarke showing ridiculous upper-fingerboard facility on double bass, and Gochiasvili and McCampbell trading fiery piano and keyboard choruses, was only stopped from achieving complete physical lift-off by Clarke giving his bass one affectionate punch too many.
Back in his youth the now sixty-six year old Clarke was presented as a force-to-be by jazz legends including Horace Silver, Joe Henderson and Stan Getz. They were right and you wouldn’t bet against these phenomenal talents he had with him here following his example.
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