Theatre
Scotties
Tron Theatre, Glasgow
Neil Cooper, Four stars
When ten young Irish lads from Achill were burnt to death in Kirkintilloch in 1937 in the bothy they were staying in while working as potato pickers, while the boys were honoured in their homeland, in Scotland the tragedy is barely known. Muireann Kelly and Frances Poet’s new play for Theatre Gu Leor unearths the story in a way that puts flesh and blood on its bare bones for a modern telling that resonates for a younger generation.
This is done through the figure of Michael, a latter-day Glasgow teenager the same age as the Achill boys and the offspring of Gaelic-speaking parents. Through a school history project, Michael dreams his way into a timeslip where he walks among the migrant workers, but is only seen by Molly, a young Irish woman who is closer to him than he knows. Through bearing witness in this way, Michael becomes alive to his own heritage, laying some old ghosts to rest along the way.
Kelly’s production is a brooding hybrid of theatrical forms played out on Charlotte Lane’s multi-dimensional and at times spectral-looking set. Performed in Irish and Scots Gaelic as well as English by Kelly’s cast of eight, it mixes text with song, dance and Laoise Kelly’s live bagpipe score played by Alana MacInnes, and which moves between ceilidh and lament as it illustrates latter-day prejudices against migrant workers.
As Michael, Ryan Hunter is a dynamic presence, whose teenage truculence is enlightened by the presence of Molly, brought movingly to life by Faoileann Cunningham.
At the play’s heart is something that is part excavation of hidden history, part elegy to long-harboured secrets. For Michael, especially, the pilgrimage he ends up embarking on is also a rites of passage that causes him to find himself in a way he never imagined, but which was deep within him all along.
Why are you making commenting on The Herald only available to subscribers?
It should have been a safe space for informed debate, somewhere for readers to discuss issues around the biggest stories of the day, but all too often the below the line comments on most websites have become bogged down by off-topic discussions and abuse.
heraldscotland.com is tackling this problem by allowing only subscribers to comment.
We are doing this to improve the experience for our loyal readers and we believe it will reduce the ability of trolls and troublemakers, who occasionally find their way onto our site, to abuse our journalists and readers. We also hope it will help the comments section fulfil its promise as a part of Scotland's conversation with itself.
We are lucky at The Herald. We are read by an informed, educated readership who can add their knowledge and insights to our stories.
That is invaluable.
We are making the subscriber-only change to support our valued readers, who tell us they don't want the site cluttered up with irrelevant comments, untruths and abuse.
In the past, the journalist’s job was to collect and distribute information to the audience. Technology means that readers can shape a discussion. We look forward to hearing from you on heraldscotland.com
Comments & Moderation
Readers’ comments: You are personally liable for the content of any comments you upload to this website, so please act responsibly. We do not pre-moderate or monitor readers’ comments appearing on our websites, but we do post-moderate in response to complaints we receive or otherwise when a potential problem comes to our attention. You can make a complaint by using the ‘report this post’ link . We may then apply our discretion under the user terms to amend or delete comments.
Post moderation is undertaken full-time 9am-6pm on weekdays, and on a part-time basis outwith those hours.
Read the rules here