GLASS (15)***

Dir: M Night Shyamalan

With: James McAvoy, Bruce Willis, Samuel L Jackson

Runtime: 129 minutes

WRITER-director M Night Shyamalan's mind-bending thriller orchestrates a head-on collision of intriguing characters from his earlier features, Unbreakable and Split. As brittle and transparent as the title suggests, Glass unfolds in a menacing present day populated by super-powered heroes and villains who could be torn from the pages of a comic book. Shyamalan's confidently executed but emotionally starved conundrum pretends to defy well-worn conventions but ultimately abides by them within a narrative framework which includes an obligatory twist – the filmmaker's increasingly laboured trademark since his Oscar-nominated The Sixth Sense.Cinema audiences with limited exposure to the Marvel or DC Comics universes will be able to second-guess the writer-director's sleights of hands and will be surprised and disappointed by how linear the central plot turns out to be.Bruce Willis and Samuel L Jackson deliver muted performances in keeping with the film's largely predictable design, both fading into the background as James McAvoy reprises his show-stopping role as a killer with multiple personalities.

Beautiful Boy (15)****

Dir: Felix Van Groeningen

With: Steve Carell, Timothée Chalamet, Amy Ryan

Runtime: 120 minutes

FROM Amazon Studios and Plan B (Brad Pitt’s production company) comes this true tale of how addiction can destroy not just the victim but those who love them. Steve Carell plays David Sheff, a writer for Rolling Stone, the New York Times, and other publications. David and his estranged wife (Amy Ryan) seem to have provided the perfect upbringing for son Nic, save for living a plane journey away for each other. But they muddled through, David has married again, and the teenage Nic (Timothée Chalamet) seems to have everything: intelligence, opportunities, a place waiting for him at university, a loving family and friends. But he is addicted to booze and drugs, and no matter what his family do or try, the cycle of rehab and relapse continues to repeat itself. Felix Van Groeningen’s drama does well to capture the family’s despair, and both Carell and Chalamet turn in rounded, thoughtful performances that avoid the usual cliches surrounding addiction. For most of the running time the film, based on books by father and son, is commendable for its honesty, only becoming a let down with the rather rushed, manipulative ending. Chalamet, Oscar-nomination for Call Me By Your Name last year, deserves another nod this time.